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The Lunatic Cafe

by Bill Davie

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Intro. 01:55
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Cloud Chowder I had a small catastrophe, it followed me around. It held my sense of humor tight, it would not put me down. It cut holes in my apology. It stripped me where it shows. It fell in my theology, and took off in my clothes I shouldered my presumptions. It burned up all my wood. It switched on my assumptions,' then it started feeling good. And it felt so good, I don't know why. And it felt so good it had to show. And I don't know where it's gonna take me next, all I know is I wanna go. I wanna go-go! I had a natural disaster. I jumped into my space. It got me moving faster. It set a dreadful pace. It lessened my dimensions. It had me losing weight. It pointed out my tensions. It was destiny, or fate. It channeled my expression. It made me think I could. It sorted out my tensions, and it came out feeling good. And it felt so good, I don't know why. It felt so good it had to show. And I don't know where it's gonna take me next, all I know is I wanna go. I wanna go, I got to go! bd
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FROM WHERE YOU ARE Lonely men feeding pigeons at sunrise. Talking tears at feathered ears that do not cry. And all the dead or dying bums whom you depend on for your crumbs they run from where you are from where you are. Find a doorway, rest the bottle at your feet. Take your places, tourist landmarks of the street. Family pictures crowd your mind. They're growing fuzzier with time. They run from where you are, from where you are. People stop to frown and talk about you. But they don't come near, 'cause something might rub off of you. There's not much more that they can do, but thank the lord that they're not you, and run from where you are from where you are. And all the dead and dying bums whom you depend on for your crumbs, they run from where you are from where you are. bd
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THE PRICE I PAY I went down to the guitar store and I sadi, "Won't you help me, please? The tips of my fingers are falling off, I got water on both knees!" The lady said, "That's what you get when you walk in that 'rock n' roll way!" I said, "I guess you're right, I'm just a singer in the night, and that's the price I pay." I went down to the pharmacy, and I said, "I hope you got what I need. I'm so depressed about oppression, murder , rape, and American Greed." The pharmacist said, "Ithink it's all in your head, and have you had your One-A-Day?" So, I wrote him a poem, pretended I didn't know him, and figured, he's the price I pay. I went down to the psychiatry store and I said, "Doc, things just ain't right. I wet the bed, I got this ringin' in my head and it's rat dreams every night." He said, "It's clear we need some treatment here, and I'll have you feeling better today." He stuck a wire to my head, I said, "I'll get drunk instead, and it's a smaller price I'll pay." bd
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UPON THE EDGE by Alan Copsey The evening of the morning of the last day in this world, the time's gone by so quickly I can still see where I stood, upon the edge of something understood just partly, even yet, but it's so far away from where I've got to go. Back to the life I live surrounded by the others struggling through to find an order and a sense to what seems senseless and untrue. And through the leaves upon my shoulder shines the wilderness sunset, but it's so far away from where I've got to go. I've got to leave this land that feels like home to me. Where I've spent more than a lifetime in these few days. Where my soul will wander freely like an eagle in the air, and the beauty of my living will be with me from now on. The evening of the morning of the last day in this world, the time's gone by so quickly I can still see where I stood, upon the edge of something understood just partly, even yet, but it's so far away from where I've got to go.
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CHICKEN GUMBO Close the doors tight, insulate those windows right. Let me say, I don't get out much anymore. I stay inside and wait for the hell to break. What kind of crazy things wait outside my door? I got my lead screens, i got survival dreams, and lots of hope for the future of our nation. I got my canned food, I got my ears glued to the civil defense monitoring stations. My friends all tell me that i'm pessimistic but I prefer to think of myself as realistic. When the big one comes, and the earth begins to rumble I'll be happy underground eating Chicken Gumbo. Late at night or early morning, we won't get too much warning, before the country is a glowing orange fountain. But some of us won't wait. We'll make our planned escape. Me and Ronnie, we'll be safe inside our mountain. My friends all tell me that I'm pessimistic, but I prefer to think of myself as realistic. When the big one comes, and the earth begins to rumble I'll be happy underground eating Chicken Gumbo.
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Mantra Man 00:39
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WHAT HAVE YOU LEARNED? Heaven bless this critical mess I've gotten you into. Late nights in the coffee shops and crazy institutions of higher education become a recreation ground and something you'll get used to. And what have you learned here or have you just been burned here? You cam to me with problems, you were craving my attention concerning D. H. Lawrence love and reading comprehension. I told you this was not your place, and I was much too quizzical, but you just got more physical. And what have you learned here or have you just been burned here? And what have you learned here or have you just been burned here? School days, a twenty year phase. School days, a twenty year phase. So now you're graduating and you gotta pay to do it. You went without a meal last month but somehow you lived through it. Your folks are flying up from California to attend it, but you've just glad to end it. And what have you learned here, ro have you just been burned here? And what have you learned here, ro have you just been burned here? Heaven bless this critical mess I've gotten you into. Heaven bless this critical mess I've gotten you into.
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Our Day 02:58
OUR DAY Well I can't remember when the thought of seeing you again didn't make me feel that life was worth the living. And it seems to me so true that I only take from you, 'while so unselfishly, you do all the giving. And yet you say you love me, that you want to be my wife, that you want to be part of everything that holds meaning in my life. Oh lady, this is our day, and I'll be with you each and every step of the way When my branches will not bend, and my hope comes to an end, it'll be so nice to know that you're there waiting. Tell me I'm okay, and to blow my fear away, and to let me know it was wisdom I was chasing. Just to know you're thinking of me and that I don't have to hide all the feelings that before you came along were kept inside Oh lady, this is our day and I'll be with you each and every step of the way. And I'll be with you each and every step of the way Well I can't remember when the thought of seeing you again didn't make me feel that life was worth the living. And it seems to me so true that I only take from you, 'while so unselfishly, you do all the giving. And yet you say you love me, that you want to be my wife, that you want to be part of everything that holds meaning in my life. Oh lady, this is our day, and I'll be with you each and every step of the way
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Yad Ruo 02:31
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THAT VACATION I PROMISED YOU Your hand on the wheel. We're through asking questions on how we feel. Your smile reflected in the window. Loud music playing on the stereo. Here's that vacation I promised you way back in the summer of '82. So many other plans to see through, we lose sight of the things that we want to do. Like looking at you and flying in the sun. So many destinations, but you're my only one Your hands on the wheel. Lets see how much time we can steal. The workaday world will wait for me. It's time to reset priorities So here's that vacation I promised you way back in the summer of '82. The road is just a door we're walking through. I can breathe again when it's just us two, and I'm looking at you, and we're flying in the sun. So many destinations, but you're my only one. Look look look look look look down the road open your eyes and look off down the road Yeah, yeah yeah yeah.
14.
Electric 02:40
ELECTRIC I hear the beat, I feel the beat, but I'm still stifled by my limitations. See this guitar? It's brought me far, but it can't handle every situation. Ooo, I wanna go electric. Ooo, it takes bread to go electric. Ooo, won't you help me go electric and let me sing in your bar? But you say, . . . I find my seat, and watch my feet. They're always jumpin' 'cause they can't escape the beat. I look at my room, stare at the gloom. Some funky rhythm not would surely be a treat. Ooo, I wanna go electric. Ooo, it's somehow more eclectic. Ooo, won't you help me go electric and let me sing in your bar? It's a nice bar. Nice bar! I could play here, maybe take us both far! Ooo, I wanna got electric. Ooo, where the music's much more hectic. Ooo, I wanna go electric so let me sing in your bar, but you say, "no way, Jack! You see the doorway come back some other day as someone else!" Now ain't that just the way? I mean the way of the world! You assassinate a squirrel backing out of your driveway. And what will the Rabinowitz's say? Sometimes it just don't pay, to start your day.
15.
Miracle 03:04
MIRACLE You and I have seen our arrows fly. We've known all the right buttons to push, where it hurts, and how, and why. But there's a reason why we'll make it, 'cause every time that I just can't take it I climb back out into love again. I climb back out into love again. Once or twice I knew that we were through. We couldn't talk, we couldn't sleep, all our worst fears were coming true. But something broke inside of me that showed me something I didn't know I had. I climbed back out into love again. Oh, and I climbed back out into love again. Now, Jesus, he stepped out on the sea. I never knew what that chance he took could do for you and me. But there's no other way to explain it. A miracle any way that you paint it. We climb back out into love again. Oh, and we climb back out into love again. Yes, we climb back out into love again.
16.
A LITTLE DRINKIN' Well, damn right, baby, I'm tight. I plan to stay that way for the rest of the night. There ain't enough on the news to tell who's wrong and who's right. I did a little drinkin', so I could stop thinkin', and now I drink, you think, too much. All of this is just a mirage. The military complex, the mortar barrage. Step into my new mental montage. I did a little drinkin', so I could stop thinkin', and now I drink, you think, too much. I was thinkin' 'bout the Russians again. It's a confrontation nobody wins. And the next thing I knew, I was diluting my vodka with gin. Now, don't try to argue with me. I turned off my head when I turned on the tv. I'm gonna sprout some roots and make like a tree. I did a little drinkin', so I could stop thinkin', and now I drink, you think, too much. Well, I was thinkin' 'bout the CIA. It's a symptom or moral decay when you're lyin' in bed and you still gotta watch what you say. Now baby, I think you understand how a thinkin' man's head can get all out of hand. Well, I got no solutions, but I did have a plan: Well, I did a little drinkin', so I could stop thinkin', and now I drink, you think, too much. Well, I did a little drinkin', so I could stop thinkin', and now I drink, you think, too much.
17.
News 01:10
NEWS The news is good. You knew it would be. Yes, I can be what you want me to be 'cause it's me, 'cause it's me. My palms are sweaty but I think I'm ready to ride that long road to the sea, to the sea, to the sea. You were questioning my attitude, but everything's right at that latitude, listen to me. Well, there's a quiet wind blowing tonight. It's such a peaceful, serene kind of twilight. It's just a matter of time 'fore the moon starts to glow, so let's go, let's go let's go
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Onward 04:36
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about

Originally released as a cassette album in 1985, The Lunatic Cafe has lived a storied life. I recorded it myself, with the gear I had. A 4-track cassette recorder, one microphone, and a wire reverb unit. No processing, no mastering. It was an audio collage of songs and oddities, like I would have cobbled together to give to friends. I sold home-dubbed copies at my shows for $5. Some people really liked it and have talked about it ever since.

This summer (2022), I listened to it for the first time in years, and wondered if I could do anything to make this sophomoric effort more listenable. By adjusting bass and treble, I've gotten a little more body out of the songs, and have been pleased enough with the results to offer this "bad" recording for your enjoyment.

There are songs here that I haven't sung in forty years. One song ("From Where You Are" I wrote when I was seventeen, others from when I was nineteen or twenty.

They sound like a young person's songs.

I also added some Bonus Tracks from the same era, because I like the explorations I was doing in multi-tracking, and I like how fearless I was back then, when budget ruled over sound quality.

My history as a songwriter, and as an entertainer, can be heard here.

Thank you for giving me a career, doing what I love.

Bill Davie
8/22 VITAMIN Audio

credits

released March 15, 1985

All songs © 1985 by Bill Dave except "Upon The Edge," © by Alan Copsey.
Special thanks to Tim Schwieger for original production and engineering on "Our Day," "News," "History Of The Present Day," and "Rain Today."
Dan Vaneycke played bass on those four songs. Thanks, Dan!

Recorded and mixed, remixed or recorded LIVE on the TEAC 244 Portastudio at MY HOUSE Spokane and MY HOUSE Seattle 1983-85.

Photo by Sue Christensen. This tape is for her.

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Bill Davie Seattle, Washington

Bill Davie began playing and singing when he was three years old. He wrote his first song at age 11. He produced eight recordings of original songs, five self-published books of poetry, and continues to be an active writer and performer at clubs, coffeehouses, colleges, and concert halls in the Pacific Northwest. ... more

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